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The Grey Isle Tale - now available!

Showing posts with label Rien Sucat. Show all posts
Showing posts with label Rien Sucat. Show all posts

Tuesday, July 26, 2016

Firehall Beckons!

The Phoenix of Redd, Volume I: Rienspel

Coming this Halloween!

"What Rien discovers about his past will change his future…"

"Rien Sucat wiles his days away, bored-stiff in his small backwoods village. But soon gets more than he bargained for after he befriends a magical Phoenix, accidentally witnesses a secret necromantic ritual, and comes face to face with a league of racist, knife-wielding assassins out for his blood. Travel with Rien as he and the Phoenix journey from the unassuming Rillian village of Nyrgen through the enchanting depths of the Great Wood where the unquiet dead lurk, to the high north country of Firehall - elusive sanctuary of the Elves. Launch into an epic quest with consequences farther reaching than Rien could ever possibly imagine."
 
 
 
"Rienspel is about heart. It is about family and about how the power of love played out in everyday life often carries lasting consequences. Rien’s tale transcends the dim shadows of our own world by revealing the lingering power we all carry through how we live and treat others. It is a tale about the Story we all reside in which readers both young and young-at-heart will find compelling. As C.S. Lewis once penned for his colleague and friend J.R.R. Tolkien, so it is with Rienspel, ‘here are beauties which pierce like swords or burn like cold iron. Here is a story which will break your heart”… and re-forge it anew in Phoenix-fire."
- Available as ebook via Amazon and print-on-demand via Createspace Halloween, 2016.
 
In the meantime, check out Freeman's The Grey Isle Tale, now available on Amazon!

Thursday, July 14, 2016

The Question

The Question


As I continue writing, I find I'm feeling a bit of an emotional disconnect with my content. I don't know if that's a good or a bad thing. It simply is. See, writing Rienspel's sequel is hard. (I know, I know, I think I already covered this in a previous post...) I think it bares repeating and lamenting, though. I know others have told me emotional disconnect is a good thing when you're writing, because you can't be held hostage by it, in turn. However, the way I primarily Make Good Art is an intensely emotional, personal process most of the time. I sit down, write, and bleed. Especially when it comes to Rien and Rienspel. I realize first novels can be awfully stereotypical. Mine's no exception. It's a 3rd person omnipotent coming-of-age fantasy. Some would even fling the mewling complaint, "It's just wish-fulfillment"...

And yeah... it might be... but do you blame prisoners for wanting to be free? And yeah, I am projecting a bit... or at least I was... but we grow up (and if we're especially sharp, we keep growing, even later on). Rien is no longer me any more - and I am no longer him, either. We came to a forking path in the forest one day, and we both took our roads less traveled, in accordance to who we are. Our stories are leading us different ways... We are still brothers, for sure. We share many things and ways. But I'll be damned if somebody looks down their noses at us. We're both proud of what we are, whatever that is - whoever that is.

Yes, I realize he's a fictional character of my creation. It's a book I wrote which is currently sitting, locked in time and space, inside various computers and drives... But when you create something, when you use your heart and your mind, your soul and your love, I think you can bring something entirely MORE into the world for other people, in turn, to love and care and hope for too.

I envy Rien a lot. (yeah, I just used 'a lot' - it's me and it's how I actually talk). I love the idea of being able to wander The Great Forest in autumn time. I'm fascinated with hidden wonders and ruins of times long ago. I furiously believe Man was not meant to bide his days desk-bound - it wounds the soul. If you could forget your life - your consequences- your responsibilities - your upbringing's life assumptions- and simply BE and DO... what would you do? Who would you be?

This Question is the genesis of Rienspel.

It comes out this Halloween - the same night the first few pages take place in the story.

And whether you chose to ultimately read it or not, maybe your own deeper questions can find their voice, too. What question does your own heart and soul ask over and over again? Once you can put words to it - what will you do about it?

...


In the meantime, while you await the Fall release of Rienspel, and while I struggle on to write its' sequel, May the Sun Illumine You Path, and Light By Stars Where Else...

- Ryan

PS

The Grey Isle Tale is now available on Amazon - Prince Janos and friends, likewise, have their own Questions to answer, too!

Monday, June 27, 2016

Coming this Halloween...

Releasing World-Wide October 31st, 2016!


What is Rienspel? There's a Phoenix?! Check out the 'Books' tab to read all about Ryan P Freeman's next up and coming novel! 


Tuesday, February 2, 2016

Wisdom from Author Ursula K Le Guin:

Ursula K Le Guin,

Multi-Award-Winning Recipient for SciFi & Fantasy writes:

    “In the years since I began to write about Earthsea I’ve changed, of course, and so have the people who read the books. All times are changing times, but ours is one of massive, rapid moral and mental transformation. Archetypes turn into millstones, large simplicities get complicated, chaos becomes elegant, and what everybody knows is true turns out to be what some people used to think.
  
It’s unsettling. For all our delight in the impermanent, the entrancing flicker of electronics, we also long for the unalterable. We cherish the old stories for their changelessness. Arthur dreams eternally in Avalon. Bilbo can go “there and back again,” and “there” is always the beloved familiar Shire. Don Quixote sets out forever to kill a windmill...
  
We may turn to fantasy seeking stability, ancient truths, immutable simplicities; but the realms of Once-upon-a-time are unstable, mutable, complex, and as much a part of human history and thought as the nations in our ever-changing atlases. And in daily life or in imagination, we don’t live as our parents or ancestors did. “Enchantment alters with age, and with the age. We know a dozen different Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo’s lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there.”
  
To this I would add: As the virtual world of electronic communication becomes the world many of us inhabit all the time, in turning to imaginative literature we may not be seeking mere reassurance nor be impelled by mere nostalgia. To enter with heart and mind into the world of the imagination may be to head deliberately and directly toward, or back toward, engagement with the real world.
  
In one of T.S. Elliot’s poems a bird sings, “Mankind cannot bear very much reality.” I’ve always thought that bird was mistaken, or was talking only about some people. I find it amazing how much of the real world most of us can endure. Not only endure, but need, desire, crave. Reality is life. Where we suffocate is in the half-life of unreality, untruth, imitation, fakery, the almost-true that is not true. To be human is to live both within and beyond the narrow band of what-happens-now, in the vast regions of the past and the possible, the known and the imagined: our real world, our true Now.”

- from the afterword of Tales From Earthsea, by Ursula K Le Guin


Thursday, November 19, 2015

Drum Roll Please!

And now, after nearly a decade of blood, sweat, tears and pestering... Ryan P. Freeman is proud to announce...

THE OFFICIAL COVER FOR RIENSPEL!!
























I would like to especially thank Laura Faraci, whom I had the wonderful pleasure of working with via 99Designs. It was a hard choice which came right on down to a three-way tie, but her persistence, vision and charm helped prove her design the best, in my opinion. 

Even now, she's hard at work designing the cover for my next work, an e-novelette called 
The Grey Isle Tale! - If you'd like to help donate toward my next work's cover, you can check out https://www.gofundme.com/TheGreyIsleTale 

Thank you everyone who helped weigh in on the recent design process and who helped encourage me for nearly a decade to keep on dreaming and writing- this one is for you!

-Ryan

Tuesday, November 3, 2015

Telling the Story



As I've been getting more into the habit of writing on a regular basis, 

I've found that I really love when my stories begin churning out organic twists and turns. I'm an admitted pantser - I don't really plan all that much whats going to happen exactly - I just begin with an idea or a feel - and start. I think what I really appreciate about organic story developments are how they appear like little instances where I know I have a live one on the hook. I drop my line and bate into the writing waters each day (or just about), and wait. 

By dedicating about an hour each day for my 1,000 words of story writing, I find it's my way to tell the magical story muses that while I understand they're supremely busy visiting everybody else, I will be in the same spot (my wife and I call it our 'spare 'oom'), at about the same time, doing the same thing. Last night a few little micro-bursts pleasant appeared on the screen as I typed. I wasn't trying to write anything in particular - merely continuing where I had left off the previous night, telling the story.

Telling the Story, I think, is the main crux of writing. You can be aware of how good writing looks like (IE Grammar), but what a good story is has mostly to do with your ability to tell the story. Tell it. Don't describe it or talk about it - tell it. Stories have a natural rhythm and progression. They want to be told. You just have to tell them, to the best of your ability. And don't be afraid to let your tale take you where it wants to go, either. 9 times out of 10, I've discovered the most exciting nooks and crannies when my story is leading me - not the other way round. As you're doing this, I think it helps to promote your heart. All the best stories revolve around an author's heart, or the story the author is relating. When you've got that, the rest falls into place because no matter how many other books or tales you've read or heard, this gleaming theme you've felt all along is allowed to rise triumphantly to the surface, displayed at last for all the world to see.

So tell your story!
Let it flow out of you with all the strength your heart, soul - mind and strength can muster.
Let your tale lead you.
"It's a dangerous business stepping outside your door - you step onto the road, and if you don't keep your feet, there is no knowing where you might be swept off to..."


~ Ryan

Monday, August 31, 2015

Louis Borges on Writing...



 Poet Jorge Luis Borges once wrote,

"It’s possible that the fact that literature has been commercialized now in a way it never was before has had an influence. That is, the fact that people now talk about “bestsellers,” that fashion has an influence (something that didn’t use to happen). I remember that when I began to write, we never thought about the success or failure of a book. What’s called “success” now didn’t exist at that time. And what’s called “failure” was taken for granted. One wrote for oneself and, maybe, as Stevenson used to say, for a small group of friends. On the other hand, one now thinks of sales. I know there are writers who publicly announce they’ve had their fifth, sixth, or seventh edition released and that they’ve earned such and such an amount of money. All that would have appeared totally ridiculous when I was a young man; it would have appeared incredible. People would have thought that a writer who talks about what he earns on his books is implying: “I know what I write is bad but I do it for financial reasons or because I have to support my family.” So I view that attitude almost as a form of modesty. Or of plain foolishness."

As I'm preparing to publish my first two works, Rienspel and The Grey Isle Tale, I've been furiously studying other authors' suggestion on the process. But something kept bugging me the whole time... see, I'm not writing to get rich (Sure, it would be nice...) - but because I simply love what I write, and write what I love. Trying to figure out the whole process has been a bit intimidating, sure. I don't really feel like I have the zillions of dollars to simply bankroll my way through hiring an agent - and I don't really think I have any notable connections with the publishing world, either. I'm not exactly a household name, nor do I have anything remarkable to really contribute to the twittersphere, either. 

But that's ok. Perfectly ok, actually. I am writing what I love. I hope if you read what I write, you enjoy it too. That's it. That's all I'm going for here. CS Lewis also said something encouraging about originality, which helped keep me going too:

 "Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often is has been told before) you will, nine times out of ten, become original without ever having noticed in."

So if you're a writer- write. If you're a singer- sing. If you're a gamer- game. And leave all thought of public opinion and propriety in the dust where they belong.

-Ryan

Friday, July 17, 2015

Rienspelling the Morning Away...



I cannot wait until Rienspel is published.
Seriously.

I woke up this morning and the winds which punctuate these late midwestern storms like so many commas were blowing through my backyard's trees. Later on, still thinking about the indescribable feeling I get when I think about Rienspel - the feel which has grown up from one single simple map sketch into a raging torrent of words and pages into this singularly great story... oh, I'm excited for it to be published.

I've learned if I focus on it too long - like strong drink or heady perfume - the feel can fill me up and make me ache. Like I said - it's kinda hard to describe. I want you to know, faithful reader, how each page, each character was worked over carefully. I know most of those reading this post are not numbered among the very few beta-readers I use... but oh, you are in for a treat.

You've probably noticed how I'm working on a different novel right now... The Grey Isle (The Path of Flames ? - I dunno, I'm still working on a title). And you're probably asking yourself, right along with me, hey Ryan - why don't you just keep working on Rienspel? You know... we're all going to want to get our paws on book two of the Phoenix of Redd series once we're finished! Well, the truth is I can't right now. Oh sure, I mean I can physically sit down at my desk and write, for sure... but I can't write IT yet. Writing something like this, which means so terribly much to me (and you should hear how my wife, Steph, goes on about how I care too much about what I write...) takes something out of me. I have to recharge. I have to let my heart and spirit breathe after soaring so high into the starry heavens.

I want you to know that this story, which so many people have helped make possible for me to write and bring to you... (and please try to keep the eye-rolling to a minimum here) Rienspel WANTS to be written. It's like a sentient creature, or like some sort of tale whose particularly delicious aroma has wafted out over that tenuous wall which separates us from Faerie. (SHHHH. keep your thoughts down, will you! - or they'll hear!) Speak too loudly about even the idea and it vanishes. I'm serious. It's like the moment when you are dreaming and you fully realize it is a dream... and then the more you struggle to remain in dreamland the more rapidly you rise to waking. We adventure in perilous lands best left to unexpectedly lucky widow's sons.... lost princesses... and those who long... deep, deep in their hearts for something BETTER.

Rienspel is my shot at it. It's just a book, yes. But what a book! The ideas within them... the subtle presuppositions laced, layer over layer, beckon even me for something... some grand thing... which is deeper, higher and greater than we dare hope to realize...

But like I said, it's kinda hard to explain.

- Cheers

Ryan

ps- for a treat, check out the youtube playlist I arranged to get your Rienspeling whimsy going:

Friday, July 10, 2015

#whatgetsyouwriting:

#whatgetsyouwriting:

"Enlighten the people generally and tyranny and oppressions of the body and mind will vanish like evil spirits at the dawn of day."
- Thomas Jefferson
1816  

 

Wednesday, June 10, 2015

Serial Tragedy- A Response



So they killed off another Game of Thrones character in a tragic, gruesome, terrible way. As the show goes on, and the books are generally devoured by the public, I've heard more and more reasons why this serial tragedy is a good thing- an accurate thing- even a more realistic thing. The sheer amount of psychoanalyzing is staggering, if you think about it. If you've watched the show or read the books already, I'm sure you already have an opinion on serial tragedy. Do bad things always happen? Is it inevitable? I think this is a vital topic, especially for Americans who are transitioning into a different zeitgeist (Spirit of the Age). It deals with truth and the tone of which the stories we believe in actually structure our everyday lives.

I actually hope the despairing challenge we often find ourselves faced with makes us think. I hope it makes us hold up our presuppositions against others' and makes us scratch our head. Makes us actually wonder, think, feel out our positions on the matter. Honestly, this ends up being a bit of a vast topic, so I won't scientifically notate each RNA strain... but I will drop a few breadcrumbs to hopefully help you get back home.

And so, in no particular order, here they are:

1) What IS truth? Truth exists independently of human beings, thank God. Trees which fall, alone, in forests still actually makes sounds, because the notion of sound does not depend on people hearing them (I mean, that's being a bit full of ourselves to say we are the ultimate standard when it comes to defining Truth, right?).

2) Bad things happen. But so do good things. Again, the nature of evil is a bit of a large topic, but the most helpful advice I've found come from Tolkien's writings on Eucatastrophe. For more in depth notations- read On Fairy Stories and/or the good 'ol Wikipedia page on it http://en.wikipedia.org/wiki/Eucatastrophe. This one is important because it delves into our own base assumption about how the world (both real and imaginary) work, how they ought to work, and why there ought to be happy endings at all.

3) Practicality. What you do and say and write actually DO matter. You affect people. You will continue to affect people. What you expose yourself to affects you, and in turn, affects others as well. Be aware of what you consume and crave when it comes to stories. And dare to wonder why? Why is it you happen to crave specific types of stories? It probably, ultimately, has to do with you dealing with your past and your own personal and unique identity: your character. (and yes, oh yes, are we characters) - And also, as a side note- what do people who really love you say about you?


As I was writing Rienspel, the moments where I felt I had the most authority, or power as an author, was when I thought about all the brutalized people I've met and known. I wrote what I wrote for them, because as fun as stories like Game of Thrones are, and as heartwarmingly cheesy as all the Disney-fied endings can be, people need to know there is Truth, they are in a Good story (the best, actually), and that they matter and have their own integral role to play in life. I honestly believe this, and as the legendary visionary George MacDonald once said, "Imagination is the backdoor to the soul" - and I intend to use it.

-Ryan

Thursday, May 28, 2015

How To Be A Poet
















HOW TO BE A POET
(to remind myself)
Make a place to sit down.
Sit down. Be quiet.
You must depend upon
affection, reading, knowledge,
skill – more of each
than you have – inspiration,
work, growing older, patience,
for patience joins time
to eternity. Any readers
who like your poems,
doubt their judgment.
Breathe with unconditional breath
the unconditioned air.
Shun electric wire.
Communicate slowly. Live
a three-dimensioned life;
stay away from screens.
Stay away from anything
that obscures the place it is in.
There are no unsacred places;
there are only sacred places
and desecrated places.
Accept what comes from silence.
Make the best you can of it.
Of the little words that come
out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.
- Wendell Berry

Friday, May 22, 2015

Villains


Villains. What makes them... good?

During my writing process, I came to think about what makes a truly great villain. First off, I think there are different ranges of villains. Secondly, I think you begin to delve into the philosophy of evil. And third, how you can illustrate personal evil- or villains who hit home.

Honestly, I when I think of the different levels and ranges of villains, I thank James Bond writers, 24 episodes and politicians. In each case, there are ranks to them. Sure, there's the masterminds at the top, plotting world domination and so on... but that malevolent will often has to trickle down through many other minds in order to reach your character. And as the evil filters through each layer, due to sub-creative process gone awry... you get new ways to enforce and illicit desired results. You can also craft whole new realms of terror... but to do this well, I think, you need to understand the dark material you're working with...

I remember sitting in my college philosophy class with professor Axton... and I still think I hold with him, essentially, when he said something to the effect of how diabolical evil, at its core, cannon be comprehended from our human/mortal point of view at this point in time. It is slippery and slidy. When you get to the really hellish instances of evil, the motivators behind it defy solid, concrete explanation... as if logic rules break down. Even now, I'm starting to ramble about it... which is point-in-case. Also, as a side note on this subject, I still love Alfred's quote in The Dark Knight about how some people just want to watch the world burn... or even take Loki's character as another example... A good way to get around instances where standard definitions begin to become indescribable, analogies often become an excellent work-around.

Don't tell people about your villains- illustrate them. (Again, another example of the analogy work-around in action). It's odd, but living in Missouri has exposed me more to really terrifying evil than anywhere else. Major metropolitan centers like Portland OR or even Albuquerque have not really illustrated evil for me (and I suppose I'm lucky for this). During college, when I began writing Rienspel, I would volunteer at youth outreaches... at one in particular I was the doorman, ensuring youth signed in and out... made sure they had rides home and what-not... I remember one night, a youth casually describing his 'friends' dragging him out of his house and making him watch as they lit a cross on fire in front of his own front yard. It wasn't the violence of the situation or the iconography employed or its' terrifying legacy... it was the kid's own nonchalance about the event. The casualness of it is what really made me shiver in the end. For most of those living outside the Midwest (and I was one of them), you have this vague stereo-type in your mind about the safe, idyllic small-town atmosphere of the region. But living here now... volunteering at those youth outreaches... and working at a nearby gas station has illustrated for me rather clearly how not all is as it seems, even in the 'safe' places of our world.

So, when I sat down to begin writing my villains- all this was swirling around in my mind. Personally, I think there are plenty of stories where the villains are disposable. If you want stock villains, try and look elsewhere. One of my goals writing my story, was to create bad guys who actually scare me. I want evil which creeps out of the book at night and bothers my dreams.

Why?

Because I believe we have forgotten via experience what real goodness is like, and just how bright the dawn can be. While I don't believe we need darkness to illustrate the qualities of true goodness- I do believe, I know, we need to be heroes again. You and I, where we are, right now. This means practicing love and courage and justice tangibly with ourselves first, and then others until we no longer even think twice about it.

-thanks for reading!

Monday, May 11, 2015

Stress




Stress

 


(reposted from http://pcwrede.com/stress/) - Patricia C. Wrede is one of my favorite writers... someone who helped influence 'the voice' of Rienspel... she also has great advice for writers...

"Stress affects everybody’s writing, one way or another, sooner or later, because stress is part of life. How stress affects people’s writing varies from writer to writers. For some folks, writing is an escape, so the more stressed they are, the more they write (though this isn’t that common among published writers, probably because it’s too hard to balance on the knife-edge of stressed-enough-to-write-but-not-so-stressed-that-there-really-isn’t-time-to-write). Other folks hit a certain level of stress, and find that it’s using every bit of energy they have just to stay alive, and there’s no energy or brain cells left over for writing. (Which can add stress, if writing is one’s main occupation and source of income.) For others, it depends on the kind of stress – if it’s outside stuff like an intense day job or the sewer backing up, they can write straight through it without blinking, but if it’s anything personal or emotional, they might as well forget it. And of course there are the folks who get stressed if they go too long without writing, because it’s a safety valve.

Everybody gets overstressed at some point, and the result can be quite dramatic in terms of productivity (and if it isn’t, you frequently end up paying for it later). And all too often, we make it worse for ourselves. Over and over, I’ve watched otherwise rational professionals fall to pieces because they’re under stress and refuse to admit it or allow for it. Writers who have a major operation or illness and refuse to ask for either help or a deadline extension, and then work themselves right back into the emergency room. Writers who’ve had a string of minor catastrophes, and who beat themselves up for not writing. (Usually, these are the sort who could sail through any one minor catastrophe without pause; it’s dealing with five or six in quick succession that’s too much. So they look at everything one at a time: the car accident that took a week and dozens of phone calls to the insurance company to settle, and the kid who fell out of the tree and broke an arm, and the water pipe that leaked three inches of water into the living room, and the refrigerator pump that failed and unfroze everything inside, and the cat who had to be rushed to the vet in the middle of the night, and the scary letter from the IRS about last year’s taxes, and it doesn’t occur to them that when all that happens in the same week, you are allowed to not get any writing done). Writers who are taking care of a seriously ill family member, and think they should do that, have a day job, and still write full time.

Some of this happens, I think, because those of us who write for a living are so very, very aware of how easy it is to find excuses not to write…and how very dangerous it is to give in to that impulse. Everybody sneers at the wannabes who only ever talk about the great story they are going to write some day…and who’ve been talking about it, and not writing a single word, for the past ten or fifteen years. But part of the reason we sneer is that we know just how little it would take for use to slide back into “some day, sooner or later” land. It took a lot of work and discipline and determination to get to the point where writing happens and pages get produced on a regular basis, and we don’t want to have to climb that hill again.

But stuff happens, and if you don’t recognize it, admit it, and deal with it, you’ll very likely be much worse off in the long run. It’s a bit like writing, or exercise, or losing weight: other people can tell you that you need to do it, but you are the only one who can actually write the words, do the pushups, lose the weight, or manage your own stress.

There are a bazillion books out there on how to manage stress, and they all say the same things and they’re all right: exercise, eat right, take care of yourself, take a break, take a walk, meditate, talk to people about it, find ways to reduce the stress if possible (move, change jobs, get a massage, change the locks on the house or the phone number, quit listening to the news, etc.), see a professional if it gets to be too much. The one thing none of them advise is ignoring the fact that you are stressed and trying to carry on normally.

The trouble is that the things that are most effective for dealing with stress all work over the long run, and we’re a quick-fix society…and most people don’t start trying to deal with stress until they’re already in over their heads and sinking.

Also, you’re never going to get rid of all the stress in your life. It simply isn’t possible. Sometimes, you can get rid of a particular stressor permanently, sometimes, the only thing you can change is your attitude and the degree to which you take care of yourself. And one of the important ways of taking care of yourself is to not beat yourself up when you didn’t write as much as you think you should. Much as we all love doing it, writing is not always the most important thing in the world. Not compared to, say, getting your kid to the emergency room after that bicycle accident, or rebuilding the house and community that got smashed by the tornado. As one of my editors says when a writer gets too panicky, “Babies won’t die if you’re late getting your manuscript in.”

When you are under stress, you don’t think straight. It is useful, I find, to check in once in a while and actually listen to what you are telling yourself. If you’re frustrated and cross because you want to write and don’t have time, then writing may be part of your way of coping with stress, and it’s worth making time, even just a few minutes, to do it (along with eating right, sleeping, etc.). If, however, you’re fussing about the deadline and your general lack of productivity and how you can’t possibly be a Real Writer and It Is Your Job/Duty, You Cannot Waste Valuable Writing Time…stuff it. You don’t have to write when your Mom is in the hospital or your kid is running a temperature or you’re worried sick about layoffs or the roof just blew off in a tornado. You can if you want, but you don’t have to.

Also, sometimes when you’ve been under stress for a long time and take it off suddenly, there’s a sort of rebound reaction and everything kind of collapses for a while…which can take a lot longer than you think it ought to, especially if you were holding it together long past the normal burn-out point.
When my mother died after a two-year decline into Alzheimer’s, it took me nearly four years to get back to approaching-normal. I managed to get some writing done during that time, but not nearly as much as I usually do. It taught me that if you’ve keep trying to write during a crisis when you not only don’t feel like it, but really don’t want to and don’t think you can, then a) you probably should take a break, and b) you probably don’t have to worry that you’re one of those pseudo-writers who takes any and every excuse to not-write."

Thursday, March 5, 2015

How to Write an -Awesome- Story

How to Write an Awesome Story

 _Ryan Freeman






The blinking cursor of death is the bane of my existence.

Seriously.

How do you start when all you see around you are the great, professionally finished products of the masters? It can really get you pumped... and then get you down. You're just one person... you probably dont have a killer editing team, lounging around in your PJ's sipping Starbucks in some otherworldly location... with interns and the like (ok, maybe I'm fantasizing here a bit, but hey... it's what I do, right?)

What about the regular people, like you and I? How do we start?

Here's the secret I figured out. (ready?)

You're already in it.

Bam.

There.

You're already in it. You're apart of it.
 You are already a character (probably in more ways than one). You are living in a story, and you are apart of it. What you do and say every day matters. You save lives by what you do and say. You make or break your world by who you are, what you mean, and how you act. You are the hero, or the villain. You are the wise old sage or the wicked step-parent. You are the manliest legend or the most spell-binding beauty- or the coward and the witch.

You probably just blazed through that last paragraph. I know I did. But it's super important. Right now you're reading an old tome from a grizzled adventurer. You're here on common purpose because you're searching- hunting- exploring a perilous realm of life itself.

Take time to breathe in this new world you are apart of. Feel your place in it. Understand who you are and what you really, truly mean to yourself, others and the world at large.

Then... when you're feeling particularly whimsy and painfully honest... find yourself an excellent imagining/creating spot (mine was a quiet dorm room in Missouri), and start drawing- writing- playing music... from your world. The one you always go to when you close your eyes and dream. I realized all the places I go to in my mind are really a vast, continuous extension of the same world.

Start your journey and see where the path takes you. Start and don't forget about or quit until you get there. Don't worry about being perfect- just take a single step out of your proverbial front door and keep journeying. Take with you only what is mindful. Use who you are- your own strength of character and personal powers of being. If you're in a weird mood, use it. Write weird scenes or moments in your story where your characters probably are feeling similarly.

I'm excited to see where your own story takes you...


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Thanks