Louis Borges on Writing...

 Poet Jorge Luis Borges once wrote,

"It’s possible that the fact that literature has been commercialized now in a way it never was before has had an influence. That is, the fact that people now talk about “bestsellers,” that fashion has an influence (something that didn’t use to happen). I remember that when I began to write, we never thought about the success or failure of a book. What’s called “success” now didn’t exist at that time. And what’s called “failure” was taken for granted. One wrote for oneself and, maybe, as Stevenson used to say, for a small group of friends. On the other hand, one now thinks of sales. I know there are writers who publicly announce they’ve had their fifth, sixth, or seventh edition released and that they’ve earned such and such an amount of money. All that would have appeared totally ridiculous when I was a young man; it would have appeared incredible. People would have thought that a writer who talks about what he earns on his books is implying: “I know what I write is bad but I do it for financial reasons or because I have to support my family.” So I view that attitude almost as a form of modesty. Or of plain foolishness."

As I'm preparing to publish my first two works, Rienspel and The Grey Isle Tale, I've been furiously studying other authors' suggestion on the process. But something kept bugging me the whole time... see, I'm not writing to get rich (Sure, it would be nice...) - but because I simply love what I write, and write what I love. Trying to figure out the whole process has been a bit intimidating, sure. I don't really feel like I have the zillions of dollars to simply bankroll my way through hiring an agent - and I don't really think I have any notable connections with the publishing world, either. I'm not exactly a household name, nor do I have anything remarkable to really contribute to the twittersphere, either. 

But that's ok. Perfectly ok, actually. I am writing what I love. I hope if you read what I write, you enjoy it too. That's it. That's all I'm going for here. CS Lewis also said something encouraging about originality, which helped keep me going too:

 "Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often is has been told before) you will, nine times out of ten, become original without ever having noticed in."

So if you're a writer- write. If you're a singer- sing. If you're a gamer- game. And leave all thought of public opinion and propriety in the dust where they belong.

-Ryan

Rienspelling the Morning Away...

I cannot wait until Rienspel is published.
Seriously.

I woke up this morning and the winds which punctuate these late midwestern storms like so many commas were blowing through my backyard's trees. Later on, still thinking about the indescribable feeling I get when I think about Rienspel - the feel which has grown up from one single simple map sketch into a raging torrent of words and pages into this singularly great story... oh, I'm excited for it to be published.

I've learned if I focus on it too long - like strong drink or heady perfume - the feel can fill me up and make me ache. Like I said - it's kinda hard to describe. I want you to know, faithful reader, how each page, each character was worked over carefully. I know most of those reading this post are not numbered among the very few beta-readers I use... but oh, you are in for a treat.

You've probably noticed how I'm working on a different novel right now... The Grey Isle (The Path of Flames ? - I dunno, I'm still working on a title). And you're probably asking yourself, right along with me, hey Ryan - why don't you just keep working on Rienspel? You know... we're all going to want to get our paws on book two of the Phoenix of Redd series once we're finished! Well, the truth is I can't right now. Oh sure, I mean I can physically sit down at my desk and write, for sure... but I can't write IT yet. Writing something like this, which means so terribly much to me (and you should hear how my wife, Steph, goes on about how I care too much about what I write...) takes something out of me. I have to recharge. I have to let my heart and spirit breathe after soaring so high into the starry heavens.

I want you to know that this story, which so many people have helped make possible for me to write and bring to you... (and please try to keep the eye-rolling to a minimum here) Rienspel WANTS to be written. It's like a sentient creature, or like some sort of tale whose particularly delicious aroma has wafted out over that tenuous wall which separates us from Faerie. (SHHHH. keep your thoughts down, will you! - or they'll hear!) Speak too loudly about even the idea and it vanishes. I'm serious. It's like the moment when you are dreaming and you fully realize it is a dream... and then the more you struggle to remain in dreamland the more rapidly you rise to waking. We adventure in perilous lands best left to unexpectedly lucky widow's sons.... lost princesses... and those who long... deep, deep in their hearts for something BETTER.

Rienspel is my shot at it. It's just a book, yes. But what a book! The ideas within them... the subtle presuppositions laced, layer over layer, beckon even me for something... some grand thing... which is deeper, higher and greater than we dare hope to realize...

But like I said, it's kinda hard to explain.

- Cheers

Ryan

ps- for a treat, check out the youtube playlist I arranged to get your Rienspeling whimsy going:

#whatgetsyouwriting:

#whatgetsyouwriting:

"Enlighten the people generally and tyranny and oppressions of the body and mind will vanish like evil spirits at the dawn of day."

- Thomas Jefferson

1816  

 

Rolling With the Unexpected

The flashing cursor. Just sitting there, taunting me.


As a writer, the only thing worse than flashing cursors is the sudden ADD impulse to get up from my laptop and go do anything else BUT write. Recently, I finished Rienspel and am toying, exploring, doing-battle-with, its sequel The Grey King. At first, of course, I continued with what I had written for Rienspel... because even as it's author, I HAD to know what happened next.

As I've continued this relentless writing adventure, I've learned a bit about my own writing style- and among other things (besides serially over using the em-dash ----), I've learned I don't like to plan things out ahead of time. I don't like it. It's against my nature, and I'll fight you street-brawl-style if you try and make me. I like to just sit down and keep writing- so I get to explore and feel the way out right along with the tale's own characters. Their excitement or terror is my own. I strive for immersive story-telling... plots and people which leap out of the page at you... scenes you can feel and move you... forests where you can smell the trees and land where you can feel the grass under your toes.

With this being said, I also nearly insist on writing with music on... especially if the emotional crecendoes are in-tune with the current scene or characters. When I eventually hit my first creative block by simply trying to continue writing where I had left off after Rienspel I was annoyed, but not surprised. I've learned by now about these pesky writer's block creatures, and I know a few tips and tricks to keep moving after encountering them. One such trick is one I call 'jumping tracks'. To perform Jumping Tracks, you need to identify the specific emotional style, or mood- the type of music or the generally predictable genre pattern you're in, and... Jump Tracks. For example - I obviously write in a specific fantasy-style (in case you haven't noticed from the theme and word usage of my posts here and on Facebook), recently, I decided to listen to classic rock instead of classical or instrumental game music... I opened up a different story stub I had begun and had abandoned some time ago, and started writing it again. And with what I knew needed to happen, generally, in The Grey King, I slowly realized this random story, with this completely different Western-High-Noon-style character gave me a brand new, fresh take on my story- simply by completely changing my ground-level point of view.

Jumping Tracks isn't just for clawing your way out of writer's block pits, though. You can use it while going to a particularly dreaded day at a boring, unfulfilling job, too! (and believe you me, I've had a couple of those before) See, I believe we are all actually characters in The Story. And so, if we are, we just have to Jump Tracks in our current story. The emotional humdrum mood we adopt when heading back into the daily grind is a sneaky version of the writer's block. We're 'stuck' from continuing our own story for an entire shift... or ARE we? Jump Tracks. Use your imagination to refresh yourself and take your situation from a brand new perspective and then go with it... and see where it takes you. You'll often find hidden magic along the way you would have probably never have otherwise even dreamed of.

I used to work at a gas station - and I hated it. That is, until I started trying to jump tracks, at least in my mental frame of mind... but, trying is half the battle in this case. I realized that working for long spells at the gas station made me assume everything was horrible in the world. And of course, anyone can discover with a few days off how simply untrue this is. So, if how I was feeling while working there did not mean what I thought it meant, then it could mean anything... anything! I started trying to identify vampires and revenants hiding in plain sight disguised as regulars! Once, as a joke, I anointed the doors with holy water and, I kid you not, some customers began literally being able to cross the threshold.... I guess my point is, there's a whole wide world we're living in. It REALLY IS magical. And more than a few of the old tales still hold true. We're apart of it, and if we want to continue discovering where our own stories lead, we have to get the ring to Rivendell- we have to seek out Yoda ourselves, we have to try and stop the Nazis from recovering the Ark of the Covenant.

We have to roll with the unexpected, and see our own story through.

-Ryan

thanks for reading!

Serial Tragedy- A Response

So they killed off another Game of Thrones character in a tragic, gruesome, terrible way. As the show goes on, and the books are generally devoured by the public, I've heard more and more reasons why this serial tragedy is a good thing- an accurate thing- even a more realistic thing. The sheer amount of psychoanalyzing is staggering, if you think about it. If you've watched the show or read the books already, I'm sure you already have an opinion on serial tragedy. Do bad things always happen? Is it inevitable? I think this is a vital topic, especially for Americans who are transitioning into a different zeitgeist (Spirit of the Age). It deals with truth and the tone of which the stories we believe in actually structure our everyday lives.

I actually hope the despairing challenge we often find ourselves faced with makes us think. I hope it makes us hold up our presuppositions against others' and makes us scratch our head. Makes us actually wonder, think, feel out our positions on the matter. Honestly, this ends up being a bit of a vast topic, so I won't scientifically notate each RNA strain... but I will drop a few breadcrumbs to hopefully help you get back home.

And so, in no particular order, here they are:

1) What IS truth? Truth exists independently of human beings, thank God. Trees which fall, alone, in forests still actually makes sounds, because the notion of sound does not depend on people hearing them (I mean, that's being a bit full of ourselves to say we are the ultimate standard when it comes to defining Truth, right?).

2) Bad things happen. But so do good things. Again, the nature of evil is a bit of a large topic, but the most helpful advice I've found come from Tolkien's writings on Eucatastrophe. For more in depth notations- read On Fairy Stories and/or the good 'ol Wikipedia page on it http://en.wikipedia.org/wiki/Eucatastrophe. This one is important because it delves into our own base assumption about how the world (both real and imaginary) work, how they ought to work, and why there ought to be happy endings at all.

3) Practicality. What you do and say and write actually DO matter. You affect people. You will continue to affect people. What you expose yourself to affects you, and in turn, affects others as well. Be aware of what you consume and crave when it comes to stories. And dare to wonder why? Why is it you happen to crave specific types of stories? It probably, ultimately, has to do with you dealing with your past and your own personal and unique identity: your character. (and yes, oh yes, are we characters) - And also, as a side note- what do people who really love you say about you?


As I was writing Rienspel, the moments where I felt I had the most authority, or power as an author, was when I thought about all the brutalized people I've met and known. I wrote what I wrote for them, because as fun as stories like Game of Thrones are, and as heartwarmingly cheesy as all the Disney-fied endings can be, people need to know there is Truth, they are in a Good story (the best, actually), and that they matter and have their own integral role to play in life. I honestly believe this, and as the legendary visionary George MacDonald once said, "Imagination is the backdoor to the soul" - and I intend to use it.

-Ryan

How to Write Your Story.

How do you start writing that idea for a story you've harbored all those years?

 

Here's my thoughts:

That's awesome that you've got a book in mind... honestly, I just kept writing. 

Writing Rienspel wasn't all at once... there wasn't any set writing block...

- I just discovered that I like to write... whenever I'm done with 'what I'm supposed to be doing' whether it's homework or job stuff... I would write... however you need to do it, what ever it looks like- just write. 

Is it crappy? Write. 

Is it terrible never-going-to-be-published? Write. 

Is it secretly awesome? Write. 

Secondly, read. 

Read to be inspired. Read what you love. Not what you ought to love, but what you honestly could read all day. 

I actually started with a map... the map that's on the Rienspel page, actually. 

During college I was invited to go camping one weekend... but for some odd reason, I decided to pass. I found myself alone in my quiet dorm-room and just started drawing... a couple hours later there was this whole continent... and I thought to myself, well- it needs people. So I started dreaming up people. And then I knew there was a story there... .lots of stories! So I said, I'd better write them. 

And so I am. 

Simple. 

There's not a magic bullet answer for how to write a story- there's just writing and more writing- this is what's worked for me. 

In general, though- I suggest a couple of loose phases: Brainstorm- write up/draw up anything, everything- don't throw anything away- use friends to talk to/bother and focus solely on creating. Then take the general main elements which surface and research them. Anything- everything- Wikipedia is your friend! Also, for example, pay attention to repeating themes across other stories you love- you're probably noticing these re-occurring themes for a reason. go with it. Next, take what you've researched and as you're continuing to write, find ways to work it into your story. Next- keep reading and writing- but don't be afraid to explore other tangents. Find the main tangent, eventually, and focus on that one- otherwise you can lose momentum and start to rabbit trail (I did this). Re-write as many times as you need. You have an infinite amount of time- remember! Enjoy it. And if you're not enjoying it- take a break. But while you're forgetting about it- deep down, still remember. 

Surround yourself with influences which inspire you. Do whatever it takes to continually squelch the negative thoughts (that's what editors are for later). Eventually, you'll feel out how your own story concludes by where its process leads you. Go with it. I also highly recommend Patricia C Wrede's writing blog http://pcwrede.com/blog/ - feel free to bounce ideas off me anytime- too- here, on http://www.facebook.com/rienspel or at thephoenixofredd@aol.com.

How To Be A Poet

HOW TO BE A POET

(to remind myself)

Make a place to sit down.

Sit down. Be quiet.

You must depend upon

affection, reading, knowledge,

skill – more of each

than you have – inspiration,

work, growing older, patience,

for patience joins time

to eternity. Any readers

who like your poems,

doubt their judgment.

Breathe with unconditional breath

the unconditioned air.

Shun electric wire.

Communicate slowly. Live

a three-dimensioned life;

stay away from screens.

Stay away from anything

that obscures the place it is in.

There are no unsacred places;

there are only sacred places

and desecrated places.

Accept what comes from silence.

Make the best you can of it.

Of the little words that come

out of the silence, like prayers

prayed back to the one who prays,

make a poem that does not disturb

the silence from which it came.

- Wendell Berry